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The Don Quixote tapestry series is a popular series of 18th century mural-scale tapestries illustrating scenes from the Miguel de Cervantes novel, Don Quixote. The series was woven at the Gobelins Manufactory in Paris from 1714 to 1794, during which they were the most frequently reproduced series in the manufactory with over 200 panels woven.
Felletin is identified as the source of the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare Borgia (1514). [4] The workshops were given a royal charter in 1665, but came into their own in the later 18th century, with designs by François Boucher, Jean-Baptiste Oudry and Jean-Baptiste Huet, many of pastoral rococo subjects. [5]
The name 'soumak' may plausibly derive from the old town of Shemakja in Azerbaijan, once a major trading centre in the Eastern Caucasus. [1] Other theories include an etymology from Turkish 'sekmek', 'to skip up and down', meaning the process of weaving; or from any of about 35 species of flowering plant in the Anacardiaceae or sumac family, such as dyer's sumach (Cotinus coggygria), used to ...
In 1629, their sons Charles de Comans and Raphaël de la Planche took over their fathers' tapestry workshops, and in 1633, Charles was the head of the Gobelins manufactory. [3] Their partnership ended around 1650, and the workshops were split into two. Tapestries from this early, Flemish period are sometimes called pre-gobelins.
The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1] The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
In 2016 the Royal Tapestry Factory Foundation avoided bankruptcy thanks to a new management model and, above all, two major tapestry commissions. The Royal Tapestry Factory worked on a tapestry of almost 21 square meters on the Sabra and Shatila massacre , as well as on the reproduction of 32 German tapestries that were destroyed in Dresden ...
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