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Melodie on a Theme of Rachmaninoff: violin/cello and piano 1890–1: 1: Piano Concerto No. 1 in F ♯ minor, revised 1917: piano concerto 1890–1: Transcription of Tchaikovsky: The Sleeping Beauty: piano duet 1890–1: Two Pieces (Valse, Romance) piano six hands 1890 "At the Gates of the Holy Cloister" solo voice and piano 1890 "Nothing Shall ...
In 2003, while researching Rachmaninoff material at the Library of Congress, the Australian pianist Scott Davie discovered a two-page sketch of a previously unknown Rachmaninoff work, a Piano Piece in A-flat major. [10] While he was able to make a pencil copy, it wasn't until later he realized that the sketch was complete. [11]
Sergei Vasilyevich Rachmaninoff [a] [b] (1 April [O.S. 20 March] 1873 – 28 March 1943) was a Russian composer, virtuoso pianist, and conductor.Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
[1] Immediately before the coda, the thick texture and canon suddenly disappear and the piece becomes piano. Upon entering the coda, the work resumes the forte theme and amalgamates to a majestic ending played fortississimo. [14] Maestoso is one of the most difficult pieces in the set.
Rachmaninoff in front of a giant Redwood tree in California, 1919 The Études-Tableaux ("study paintings"), Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff . Op. 39 was composed sometime between 1916 and 1917 [ 1 ] and were among the final works composed by Rachmaninoff before his exit from Russia .
A double note theme is announced in measures 1–4. The piece then modulates rapidly from bar to bar, passing through: G flat (measure 5); C flat (measure 6); A flat minor (measure 7); and B flat (measure 9). The primary melody returns at measure 11. Measures 5 and 6 Measure 7 Measure 9
Morceaux de fantaisie (French for Fantasy Pieces; Russian: Пьесы Фантазии, Pyesy Fantazii), op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892. The title reflects the pieces' imagery rather than their musical form, as none are actual fantasies.
Pages in category "Piano music by Sergei Rachmaninoff" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes .
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