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Experimental aesthetics is a field of psychology founded by Gustav Theodor Fechner in the 19th century. According to Fechner, aesthetics is an experiential perception which is empirically comprehensible in light of the characteristics of the subject undergoing the experience and those of the object .
Although IAEA has been active for half a century, the domain of experimental aesthetics is much older. It is the second-oldest branch of scientific psychology, traditionally dating from 1876, the year Gustav Theodor Fechner (1801-1887) published his Vorschule der Aesthetik (Preschool of Aesthetics). Fechner, who also is credited with founding ...
The analysis of individual experience and behaviour based on experimental methods is a central part of experimental aesthetics. In particular, the perception of works of art, [60] music, sound, [61] or modern items such as websites [62] or other IT products [63] is studied. Experimental aesthetics is strongly oriented towards the natural sciences.
Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art, music, or any object that can give rise to aesthetic judgments. [2] Neuroesthetics is a term coined by Semir Zeki in 1999 [ 3 ] and received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of ...
Aesthetic medicine is a branch of modern medicine that focuses on altering natural or acquired unwanted appearance through the treatment of conditions including scars, skin laxity, wrinkles, moles, liver spots, excess fat, cellulite, unwanted hair, skin discoloration, spider veins [1] and or any unwanted externally visible appearance.
Edward Bullough (28 March 1880 – 17 September 1934) was an English aesthetician and scholar of modern languages, who worked at the University of Cambridge.He did experimental work on the perception of colours, and in his theoretical work introduced the concept of psychical distance: that which "appears to lie between our own self and its affections" in aesthetic experience.
Aesthetics of science is the study of beauty and matters of taste within the scientific endeavour. Aesthetic features like simplicity, elegance and symmetry are sources of wonder and awe for many scientists, thus motivating scientific pursuit. [ 3 ]
The processing fluency theory of aesthetic pleasure emphasizes the interaction between the viewer and an object in that it integrates theories and a wide range of empirical evidence that focus on effects of objective stimulus attributes on perceived beauty [5] with those that emphasize the role of experience, for example by invoking ...