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The album was a commercial flop, despite receiving positive reviews in the music press. The album was produced by Calum Malcolm, best known for his work with Glasgow band the Blue Nile. In the same year as Song, former It's Immaterial keyboard player Henry Priestman had a UK number one album The Christians with the band of the same name.
Song is the second album by English pop act It's Immaterial, released in June 1990 by Siren Records.Reduced to a duo of John Campbell and Jarvis Whitehead, It's Immaterial recorded the album with producer Calum Malcolm in his Castlesound studios in Pencaitland, Scotland, having chosen him for his keyboard skills and work with the Blue Nile.
Life's Hard and Then You Die is the debut album by the British band It's Immaterial, released in September 1986.The album was released several months after the single "Driving Away from Home (Jim's Tune)" reached the top twenty on the UK Singles Chart, and spent three weeks on the UK Albums Chart, peaking at number 62.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
On July 25, 2019, the band announced that its third studio album, Bigger Than Life, would be released on October 25 through Sacred Bones Records. The record's first single, "One Eye Open", was released along with the announcement. [10] In October 2019, Black Marble released the music video to their latest album song Private Show. [11] [12]
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
It's Immaterial is the second studio album by American electronic music project Black Marble, released on October 14, 2016 through Ghostly International record label. It is the project's first album not to feature Ty Kube, making it a solo project of the other member Chris Stewart.
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...