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The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, in Kent, facing Calais, in France, at the Strait of Dover, the narrowest part (21 miles (34 km)) of the English Channel, where Arnold spent his honeymoon in 1851. [2]
The poem was awarded a 1955 Glascock Prize [1] and appeared in Mademoiselle in August 1955, accompanying an article about the prize. [ 6 ] : 163 Plath used "Two Lovers and a Beachcomber by the Real Sea" as the title poem of a collection she submitted unsuccessfully to the Yale Series of Younger Poets , [ 2 ] [ 6 ] [ 7 ] and as a working title ...
It is a compilation of poems referring to the sea or the sea-shore. Sea-Drift follows the section titled A Broadway Pageant, and precedes the section By The Roadside. The poems included in Sea-Drift are: Out of the Cradle Endlessly Rocking; As I Ebb'd with the Ocean of Life; Tears; To the Man-of War Bird; Aboard at a Ship's Helm; On the Beach ...
Human activities affect marine life and marine habitats through overfishing, habitat loss, the introduction of invasive species, ocean pollution, ocean acidification and ocean warming. These impact marine ecosystems and food webs and may result in consequences as yet unrecognised for the biodiversity and continuation of marine life forms. [3]
While marine pollution can be obvious, as with the marine debris shown above, it is often the pollutants that cannot be seen that cause most harm.. Marine pollution occurs when substances used or spread by humans, such as industrial, agricultural and residential waste, particles, noise, excess carbon dioxide or invasive organisms enter the ocean and cause harmful effects there.
Though pitted by troughs and rivers, the English Channel was almost mainly land at the height of the last ice age. [6] The predominant geology of both and of the seafloor is chalk. Although somewhat resistant to erosion, erosion of both coasts has created the famous white cliffs of Dover in the UK and the Cap Blanc Nez in France.
The poem comprises five sections, each of six tercets, describing the same seascape as viewed from the deck of a ship. Each section repeats the description in different terms but uses recurring words (slopping, chocolate, umbrellas, green, blooms, etc.) and often the same syntax.
Endymion received scathing criticism after its release, [1] and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest."