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The Judensau from Wittenberg, 1596. Vom Schem Hamphoras, full title: Vom Schem Hamphoras und vom Geschlecht Christi (Of the Unknowable Name and the Generations of Christ), was a book written by German Reformation leader Martin Luther in 1543, in which he equated Jews with the Devil and described them in vile language.
The editorial work on the WA began in 1883, on Luther's 400th birthday. The work was completed in 2009 [1] in 127 volumes in quarto format with approximately 80,000 pages. It was undertaken under the direction of a commission appointed by the Prussian Ministry of Education: a supervisory role was continued by the Heidelberger Akademie der Wissenschaften after the demise of the government of ...
The German text was later published by Johann Scheible in his Das Kloster, (Stuttgart and Leipzig, 1846. 12 vols. Vol. 3), and later included in his edition of the so-called Das sechste und siebente Buch Mosis, Achtente, sehr vermehrte Auflage, New York: Wm. Radde, 1865.
Some forms are strictly defined, with required line counts and rhyming patterns, such as the sonnet (mostly made of a 14-line poem with a defined rhyme scheme) or limerick (usually a 5-line free rhyme poem with an AABBA rhyme scheme). Such poems exhibit closed form, meaning they have strict rules regarding their structure and length. [7]
Vom Schem Hamphoras This page was last edited on 22 November 2024, at 07:34 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Liebesträume (German for Dreams of Love) is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850. [1] Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath. In 1850 two versions appeared simultaneously as a set of songs for high voice and piano, and as ...
The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
Translations began with Goostly psalms and spiritual songes drawen out of the holy Scripture by Myles Coverdale, the so-called "first English hymn book", which was printed in London in 1555 and contained 16 of the songs from the Enchiridion (1–5, 8, 10, 12–19, 22).