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1001 is a point-trick card game of German origin for two players that is similar to sixty-six. It is known in German as Tausendundeins and Tausendeins ("1001") or Kiautschou . [ 1 ] [ 2 ] The winner is the first to 1001 points, hence the name. [ 2 ]
1001 Nights is a Canadian animated television series developed and produced at Big Bad Boo Studios in Vancouver, based on stories from One Thousand and One Nights. [1] The show is created and co-directed by Shabnam Rezaei and Aly Jetha.
Two properties of 1001 are the basis of a divisibility test for 7, 11 and 13. The method is along the same lines as the divisibility rule for 11 using the property 10 ≡ -1 (mod 11). The two properties of 1001 are 1001 = 7 × 11 × 13 in prime factors 10 3 ≡ -1 (mod 1001) The method simultaneously tests for divisibility by any of the factors ...
1001 Books You Must Read Before You Die is a literary reference book compiled by over one hundred literary critics worldwide and edited by Peter Boxall, Professor of English at Sussex University, with an introduction by Peter Ackroyd. [1] [2] Each title is accompanied by a brief synopsis and critique briefly explaining why the book was chosen ...
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Combining: Multiple cards may be collected through adding the numeral value of the cards together. For example, the board shows 2, an ace, 5 and 4. A player with a 3 could take 2 and the ace (2+1=3), or a player holding a 9 could take 5 and 4 (5+4=9), or a player holding a 7 could take 2, the ace and 4 (2+1+4=7).
In 1834, Franz Liszt wrote his Grosses Konzertstück über Mendelssohns Lieder ohne Worte (Grand Concert Piece on Mendelssohn's Songs Without Words) for 2 pianos. This was based on songs 1–3 of Book I, Op. 19b. [13] Liszt and a student, Mlle. Vial, started to play it in Paris on 9 April 1835 [14] but Liszt became ill during the performance.