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Three other traditional techniques are tin-glazed (in fact this is lead glaze with a small amount of tin added), which coats the ware with an opaque white glaze suited for overglaze brush-painted colored enamel designs; salt glaze pottery, also often stoneware; and the feldspathic glazes of Asian porcelain.
Surrey whiteware or Surrey white ware, is a type of lead-glazed pottery produced in England from the 13th to the 16th centuries. The white-fired sandy earthenware was produced largely from kilns in Surrey and along the Surrey- Hampshire border.
Several influences contributed to the emergence of studio pottery in the early 20th century: art pottery (for example the work of the Martin Brothers and William Moorcroft); the Arts and Crafts movement, the Bauhaus; a rediscovery of traditional artisan pottery and the excavation of large quantities of Song pottery in China. [1]
Fabric colours generally range from brick red to reddish-yellow. Finishes range from thin and uneven to thick and glossy. A clear lead glaze was often used, giving the pottery products an orange or reddish-brown colour. Other glaze colours include olive, brown and green. Green glaze was created by potters by adding copper to lead glaze. [6]
A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the TaishÅ period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
Werra ware is believed to have emerged from a tradition of lead-glazed stove-tile manufacture existing in the area in the 1520s. [6] Lead-glazing had rarely been used in central Germany before this date, whilst it was well established in the Netherlands where there was also use of sgraffito between 1400 and 1500, a technique later adopted in ...
majolica n. 1. is earthenware decorated with coloured lead glazes applied directly to an unglazed body. Victorian majolica is the familiar mass-produced earthenware decorated with coloured lead glazes [6] made during the Victorian era (1837–1900) in Britain, Europe and the US, typically hard-wearing, surfaces frequently moulded in relief, vibrant translucent glazes, in a variety of styles ...
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