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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    2- 5 1 means a minor 2 chord for two beats, then a 5 chord for two beats, then a 1 chord for four beats. If the measure is not evenly divided, beats can be indicated by dots or hash marks over the chord numbers. Three dots over a given chord would tell the musician to play that chord for three beats. Alternatively, rhythmic notation can be used.

  3. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Print/export Download as PDF; ... Chord type Major: Major chord: Minor: Minor chord: Augmented: ... 3-12: 0 4 8: Augmented Augmented eleventh chord [1]

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  7. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]

  8. I Won't Take Less Than Your Love - Wikipedia

    en.wikipedia.org/wiki/I_Won't_Take_Less_Than_Your...

    "I Won't Take Less Than Your Love" is a song written by Paul Overstreet and Don Schlitz, and recorded by American country music artist Tanya Tucker with Paul Davis & Overstreet. It was released in October 1987 as the second single from the album Love Me Like You Used To. The single reached number one for the week of February 27, 1988, and spent ...

  9. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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