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Stock, Aitken, Waterman, Evangeli 16 [2]-- 8 The Story So Far "Give it Up" Stock, Aitken Stock, Aitken, Waterman, Ware -- -- -- B-side 16 Jul 1984 Hazell Dean "Whatever I Do (Wherever I Go)" Stock, Aitken Stock, Aitken, Waterman 4 [3]-- 74 Heart First: Aug 1984 Edwina Laurie "Dark Glasses" Kershaw Stock, Aitken, Waterman 185 [4]-- -- (non-album ...
The Hit Factory: The Best of Stock Aitken Waterman; The Hit Factory Volume 2; The Hit Factory Volume 3; Pete Waterman Presents the Hit Factory; The Hit Factory: Pete Waterman's Greatest Hits; The Hit List (Cliff Richard album) Hits (Kylie Minogue album) Hold Me in Your Arms (album)
The song became Stock Aitken Waterman's first Top 10 hit, reaching No. 4 in the UK. [20] This period saw a rapid refining of the core production team and their roles, with a fourth collaborator, Pete Ware, who was co-credited on the team's earliest records, leaving after Stock and Aitken objected to him taking a job touring with Dean. [21]
I. I Can't Help It (Bananarama song) I Don't Believe in Miracles (Sinitta song) I Don't Wanna Get Hurt; I Heard a Rumour; I Just Can't Wait; I Just Don't Have the Heart
The sisters signed to the PWL record label after giving Pete Waterman a demo tape, [1] and their single "I'd Rather Jack" was produced by Stock Aitken Waterman. [3] The song started out as a response to music critics who ignored the younger pop acts in the UK at the time, and to radio DJs who continued to play older bands on their playlists ...
Print/export Download as PDF; ... All tracks are written by Stock/Aitken/Waterman; except where indicated. No. ... Dutch Albums (Album Top 100) [3] 53
"I Just Can't Wait" is the debut single by English singer Mandy Smith, produced by Stock Aitken Waterman, and was the first release by Pete Waterman's new label, PWL in January 1987. Despite intense publicity in the wake of Smith's relationship with Bill Wyman, the song charted poorly in the UK — a result the producers blamed on the hostility of the Br
With songwriting and music production by Mike Stock, Matt Aitken, and Pete Waterman (collectively known as Stock Aitken Waterman), as well as Bobby Orlando, the album became especially sought-after by avid synthesizer-based club/dance music fans.