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The modern French phrase is "à double sens". in lieu (of) "in place (of)"; partially translated from the existing French phrase au lieu (de). léger de main (legerdemain) "light of hand": sleight of hand, usually in the context of deception or the art of stage magic tricks. Meaningless in French; the equivalent is un tour de passe-passe ...
In linguistics and grammar, affirmation (abbreviated AFF) and negation (NEG) are ways in which grammar encodes positive and negative polarity into verb phrases, clauses, or utterances. An affirmative (positive) form is used to express the validity or truth of a basic assertion, while a negative form expresses its falsity.
This phrase is another one that puts the onus on the person having a challenging time to "just feel better already." “You’re saying, 'You're negative, so, of course, you are going to attract ...
A double negative is a construction occurring when two forms of grammatical negation are used in the same sentence. This is typically used to convey a different shade of meaning from a strictly positive sentence ("You're not unattractive" vs "You're attractive").
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French usually expresses negation in two parts, with the particle ne attached to the verb, and one or more negative words (connegatives) that modify the verb or one of its arguments. Negation encircles a conjugated verb with ne after the subject and the connegative after the verb, if the verb is finite or a gerund.
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
A connotation is a commonly understood cultural or emotional association that any given word or phrase carries, in addition to its explicit or literal meaning, which is its denotation. A connotation is frequently described as either positive or negative, with regard to its pleasing or displeasing emotional connection. [1]