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A traditional square dance in Concord, Massachusetts. Traditional square dance is a generic American term for any style of American square dance other than modern Western.The term can mean (1) any of the American regional styles (broadly, Northeastern, Southeastern, and Western) that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles ...
A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances are part of a broad spectrum of dances known by various names: country dances, traditional dances, folk dances, barn dances, ceilidh dances, contra dances, Playford dances, etc.
Right and left grand, also known as grand right and left, is a square dance move in which all eight dancers in the set, moving in a circular fashion, execute a series of four alternating hand pull-bys (right pull by, left pull by, right pull by, left pull by). Men (or gents) travel counter-clockwise around the ring, and ladies travel clockwise.
The most famous hoedown in classical music is the section entitled "Hoe-Down" from the Rodeo ballet by Aaron Copland (1942). The most frequently heard version is from the Four Dance Episodes from Rodeo, which Copland extracted from the ballet shortly after its premiere; the dance episodes were first performed in 1943 by the Boston Pops conducted by Arthur Fiedler.
While traditional square dance uses live music, modern western square dancing is usually played from recordings. This allows more variety in music styles than in traditional square dance. The tempo is also more uniform than in traditional dancing, as the ideal modern western square dance tempo is 120–128 bpm.
He saw jazz and its related dancing styles as a force for moral decay, and sought to cure it by bringing back traditional folk dances. In doing so, Ford rewrote the cultural history of the dance ...
Square Dance is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine to Antonio Vivaldi's Concerto Grosso in B minor and the first movement of his Concerto Grosso in E major, Op. 3, nos. 10 and 12, respectively; in 1976 he added Arcangelo Corelli's Sarabanda, Badinerie e Giga, second and third movements.
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