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In the winter two hockey rinks and an ice skating oval are added. Another large, multi-use park is called Le Parc nature les Forestiers de Saint-Lazare (2800 Chemin Lotbinière, Saint-Lazare, QC J7T 3H9). It is a 4-season park, with an outdoor pool, trails for hiking, cross-country skiing, horse riding, and snowshoeing, and picnic areas. Other ...
The Gare Saint-Lazare (French pronunciation: [ɡaʁ sɛ̃ lazaʁ]; lit. ' Saint Lazarus station '), officially Paris Saint Lazare, is one of the seven large mainline railway station terminals in Paris, France. It was the first train station built in Paris, opening in 1837.
Pierre Bertholon de Saint-Lazare (1741–1800), French physicist; See also. Autun Cathedral (Cathédrale Saint-Lazare d'Autun), Autun, France
The trains on Line L travel between Gare Saint-Lazare in Paris and the west of Île-de-France region, with termini in Cergy, Versailles and L'Étang-la-Ville. The line has a total of 290,000 passengers per weekday.
Jacques Hillairet, Gibets, Piloris et Cachots du vieux Paris, éditions de Minuit, Paris, 1956 (ISBN 2707312754). (in French) Appel des dernières victimes de la terreur à la prison Saint-Lazare à Paris les 7-9 Thermidor an II by Charles-Louis Muller (1815–1892), painting held at the Musée national du château de Versailles.
Juste Lisch Gare Saint-Lazare. Jean Juste Gustave Lisch (French pronunciation: [ʒɑ̃ ʒyst ɡystav liʃ]; 10 June 1828 – 24 August 1910) was a French architect. [1] [2] A native of Alençon, Lisch studied at the Ecole des Beaux-Arts and was pupil of Léon Vaudoyer and Henri Labrouste. His architectural career was geared towards civic work ...
Femme aux Bras Croisés (English: Woman with Folded Arms), is an oil on canvas painting by Pablo Picasso, which he created between 1901 and 1902 during his Blue Period.The subject of the painting is unknown, but she is considered to be an inmate of the Saint-Lazare hospital-prison in Paris.
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...
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