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"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
Siegfried's Funeral March; Il Silenzio (song) Slonimsky's Earbox; Sonata for Violin and Cello (Ravel) Song for Athene; String Quartet No. 4 (Shostakovich) String Quartet No. 7 (Shostakovich) Symphonies of Wind Instruments; Symphony No. 2 (Milhaud)
Fading light, dims the sight, And a star gems the sky, gleaming bright. From afar, drawing nigh, falls the night. Thanks and praise, for our days, 'Neath the sun, 'neath the stars, neath the sky; As we go, this we know, God is nigh. Sun has set, shadows come, Time has fled, Scouts must go to their beds Always true to the promise that they made.
Alfred Hitchcock had heard the music in the 1927 film Sunrise: A Song of Two Humans. In 1955, when choosing the theme music for his television series Alfred Hitchcock Presents, he remembered the effect that "Funeral March of a Marionette" had on him. It was through Hitchcock's program that the music achieved its widest audience, although few ...
– Beethoven’s Funeral March No 1. The stately, mournful piece was played at the Duke of Edinburgh’s funeral in April 2021, as well as the procession to the lying in state of the Queen Mother ...
In 1681 at the latest, Purcell copied revised versions of other funeral sentences in a book of his collected works, leaving room for "Thou knowest" but not including it. Around the same time, he also copied works by earlier composers such as Thomas Tallis , William Byrd , and Christopher Gibbons , possibly to study their polyphony.
"Funeral for a Friend/Love Lies Bleeding" is a medley of two songs written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It is the opening track of the 1973 double album Goodbye Yellow Brick Road .
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