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Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Diane Arbus photograph, Identical Twins, Roselle, New Jersey, 1967. Identical Twins, Roselle, New Jersey, 1967 is a noted photograph by photographer Diane Arbus from the United States. Since its debut Identical twins, Roselle, N. J., has become the image most closely associated with her large body of work. The photograph was chosen as the cover ...
Arbus' Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 Arbus' contact sheet from the photo shoot. Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 (1962) is a famous black and white photograph by Diane Arbus.
Fur: An Imaginary Portrait of Diane Arbus (also known simply as Fur) is a 2006 American romantic drama film directed by Steven Shainberg and written by Erin Cressida Wilson, based on Patricia Bosworth's book Diane Arbus: A Biography.
Amy Arbus (born 1954), a New York City–based photographer; Diane Arbus (1923–1971), black and white photographs of deviant and marginal people; Laura Adams Armer (1874–1963), portraiture in San Francisco, images of the Navajo; Eve Arnold (1913–2012), photojournalist with Magnum Photos
In 2016 Ecco Press published Lubow's book Diane Arbus: Portrait of a Photographer. [8] The book grew out of a cover story on Arbus that appeared in The New York Times Magazine in September 2003. [9] In 2018, he wrote an essay, "On Shame," in which he discussed the interrelatedness between pride and shame in the context of his identity as a gay ...
Photography by Selkirk. 1000 on 42nd Street by Tibor Kalman and Maira Kalman. New York: powerHouse Books, 1999. ISBN 1576870456. Photography by Selkirk. “In the Darkroom,” in Diane Arbus Revelations by Diane Arbus, Sandra S. Phillips, Selkirk, Elizabeth Sussman, Doon Arbus, and Jeff L. Rosenheim. New York: Random House, 2003.
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...
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