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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo, who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona ...
The former governor Montano arrives with Gratiano and Iago. When Othello mentions the handkerchief as proof, Emilia realizes what Iago has done, and she exposes him. Othello, belatedly realising Desdemona's innocence, stabs Iago (but not fatally), saying that Iago is a devil, but not before the latter stabs Emilia to death in the scuffle.
Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant Michael Cassio, though he is killed by Iago when he fails in his attempt to ...
Iago's original voice actor Gilbert Gottfried. In the original story treatment by Howard Ashman, Iago (previously named Sinbad) had been originally conceived as a "British" calm and serious straight man working off Jafar, who was originally conceived as more over-the-top, comedic, and irritable, but the filmmakers later reversed their personalities in large part in order to make Jafar more ...
[23] Marshall also played Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago, in Los Angeles in 1968. [24] His Othello was captured on record in 1964 with Jay Robinson as Iago and on video in 1981 with Ron Moody as Iago. The 1982 Broadway staging starred James Earl Jones as Othello and Christopher Plummer as Iago.
[145] He finds especially remarkable the gradual alteration of Othello's feelings about Desdemona as his mind is played upon by Iago. Othello is not naturally a violent person in everyday life: [150] "The nature of the Moor is noble, confiding, tender and generous; but his blood is of the most inflammable kind; and being once roused by a sense ...
New York Observer critic Drew Grant notes that although the series aired during the golden age of dramatic antiheroes, Underwood's villainy has become trite: "House of Cards is a good reminder, however, that there is a reason Iago wasn't the center of Othello. Unrelenting, unexplained cruelty can be as pedantic as constant kindness." [84]