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The traditional harmonica for blues playing was the Hohner Marine Band, which was affordable and easily obtainable in various keys even in the rural American South, and since its reeds could be "bent" (see below) without deteriorating at a too rapid rate. A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard ...
The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone ...
Blues harp. The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica.It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range.
The harmonica shares similarities to all other free-reed instruments by virtue of the method of sound production. The glass harmonica, invented by Benjamin Franklin in 1761, has the word "harmonica" in its name, but it is not related to free-reed instruments. The glass harmonica is a musical instrument formed from a nested set of graduated ...
In a tremolo harmonica, the two reeds are tuned slightly off a reference pitch, one slightly sharp and the other slightly flat. This gives a unique wavering or warbling sound created by the two reeds being not exactly in tune with each other and difference in their subsequent waveforms acting against one another. The degree of beating can be ...
A number of early blues harmonica players throughout the 20th century have been known for using Hohner Marine Band harmonicas because they were the most available at the time. However, as other harmonica companies began to expand and Hohner produced different types of harmonicas, harmonica players started to develop preferences.
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Awarded to an outstanding harmonica player with a record of achievements over a long period of time that may reasonably be considered to be the virtual equivalent of a lifetime. Recipient has been active in promoting the preservation and advancement of the harmonica and the positive and meaningful interaction of harmonica players and devotees.
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