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Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
Honey, W.B., European Ceramic Art (Faber and Faber, 1952) Liverani, G. La maiolica Italiana sino alla comparsa della Porcellana Europea A summary of a century's study, largely based on surviving examples. Mussachio, Jacqueline, Marvels of Maiolica: Italian Renaissance Ceramics from the Corcoran Gallery of Art (Bunker Hill Publishing, 2004)
English tin-glazed majolica. First shown at the 1851 Exhibition by Minton & Co., Exhibit Number 74. Potteries Museum, Stoke-on-Trent, UK. The notes in this article append tin-glazed to the word meaning 'opaque white tin-glaze, painted in enamels', and coloured glazes to the word meaning 'coloured lead glazes, applied direct to the biscuit'.
Throughout the Middle Ages, Italian art consisted primarily of architectural decorations (frescoes and mosaics). Byzantine art in Italy was a highly formal and refined decoration with standardized calligraphy and admirable use of color and gold.
Giovanni Cimabue (Italian: [tʃimaˈbuːe]), [1] c. 1240 – 1302, [2] was an Italian painter and designer of mosaics from Florence. He was also known as Cenni di Pepo [3] or Cenni di Pepi. [4] Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo ...
The regions most recognized for producing terracotta art in that part of the world include the Nok culture of central and north-central Nigeria, the Ife-Benin cultural axis in western and southern Nigeria (also noted for its exceptionally naturalistic sculpture), and the Igbo culture area of eastern Nigeria, which excelled in terracotta pottery ...
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