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The Marshall Super Lead Model 1959 is a guitar amplifier head made by Marshall. One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 4×12″ cabinets gave rise to the "Marshall stack".
The classic Marshall Stack consists of one head containing the actual amplifier, on top of two stacked 4×12s, which are loudspeaker cabinets each containing four 12-inch loudspeakers arranged in a square layout. The top cabinet has the top two loudspeakers angled slightly upwards, giving the Marshall stack a distinctive appearance.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Because of its power, Marshall decided early on to build it as a "head," with a separate 4×12" cabinet with Celestion speakers. The first-ever use of this JTM 45 model in a live performance was in September 1963, when the amplifier was tested at the Ealing Club, a short distance from the original Marshall shops.
Initially, Bogner made two models: earlier models were designated Ecstasy 100A and 100B and later models 101A and 101B—the "A" meaning "American", with 6L6 tubes, and the "B" referencing "British", with EL34 tubes, the latter being "very close to the Fender-meets-hotrodded-Marshall template Bogner was aiming at in the first place."
Sounds Unheard Of! (subtitled Percussion & Guitar!!Shelly Manne!! and Jack Marshall!!! In a Spectacular Demonstration of Musical Daring and Brilliant New Stereo!!) is an album by drummer Shelly Manne and guitarist Jack Marshall recorded in early 1962 and released on the Contemporary label. [1]
John Marshall (born January 4, 1962) is an American musician, best known as a former guitarist for the heavy metal band Metal Church (1986–1996, 1998–2001). He was the guitar tech for Metallica's lead guitarist Kirk Hammett. [1] Marshall also became the fill-in rhythm guitarist for Metallica's James Hetfield on two occasions when Hetfield ...
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