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"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum, [1] it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See ...
Clifford "Grandpappy" Gibson (April 17, 1901 – December 21, 1963) [1] was an American blues singer and guitarist. He is best known for the tracks, "Bad Luck Dice" and "Hard Headed Blues". [1] Born in Louisville, Kentucky, United States, [1] he moved to St. Louis, Missouri, in the 1920s and lived there for the rest of his life. [2]
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. [1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel.
The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. Regional styles of country blues varied widely in the early 20th century.
"Stealin" (also called "Stealin', Stealin'") is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent:
Henry Thomas (1874 – 1930) was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin' Spoonful, the Grateful Dead, and Canned Heat.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [1] and is used from time to time in modern American blues and blues rock.
Chicago blues is based on the sound of the electric guitar and the harmonica, with the harmonica played through a PA system or guitar amplifier, both heavily amplified and often to the point of distortion, and a rhythm section of drums and bass (double bass at first, and later electric bass guitar) with piano depending on the song or performer ...