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"Midnight Blue" reached #13 in the Netherlands in November 1982. In December the track entered the French charts where it remained for 31 weeks reaching number 1 in the Christmas of 1983. At the same time Michèle Torr hit the French charts with a rendering in French by lyricist Pierre Delanoë entitled "Midnight Blue en Irlande" (#13).
"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
In its sixth week on the Billboard Hot 100, "Midnight Blue" entered the Top 40 at #40 on the chart dated 14 June 1975, with the track ranked at #2 on that week's Billboard Easy Listening chart: "Midnight Blue" would spend the weeks of 21–28 June at #1 on the Billboard Easy Listening chart - eventually being cited as the #1 Easy Listening hit ...
"Tired of Midnight Blue" is a song by English musician George Harrison, released on his 1975 album Extra Texture (Read All About It).It was written after a night out with music-industry executives in Los Angeles – an event that Harrison found particularly depressing.
Midnight Blue is the title of Louise Tucker's 1982 debut album.. Total sales for the lead single, "Midnight Blue", and the resultant album totaled seven million.[1]Midnight Blue reached number 1 in France and number 1 in Canada, and in various countries around the world.
Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
"Blue Notes 2" is a sequel to "Blue Notes", which was released as a part of Meek's eleventh mixtape, DC4 (2016) and samples Snowy White's track, "Midnight Blues". On the guitar-heavy instrumental, Meek is seen "delivering rapid-fire bars" with Uzi on the bridge and the song's fourth and final verse. [ 1 ]
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.