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There is some debate over the meaning of the final couplet; in her book The Art of Shakespeare's Sonnets, Helen Vendler supported the interpretation by G. B. Evans (Shakespeare's Sonnets, 1996) as "Let no unkind [persons] kill no fair beseechers."
When thou is the grammatical subject of a finite verb in the indicative mood, the verb form typically ends in -(e)st (e.g., "thou goest", "thou do(e)st"), but in some cases just -t (e.g., "thou art"; "thou shalt"). Originally, thou was simply the singular counterpart to the plural pronoun ye, derived from an ancient Indo-European root.
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]
Sonnet 100 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Thou, best of dearest and mine only care, Art left the prey of every vulgar thief. Thee have I not lock’d up in any chest, Save where thou art not, though I feel thou art, Within the gentle closure of my breast, From whence at pleasure thou mayst come and part; And even thence thou wilt be stol’n, I fear, For truth proves thievish for a ...
Shakespeare famed for his mastery of wordplay and double-meaning, such as in Sonnet 11's opening line, "As fast as thou shalt wane so fast thou grow'st." This echoes the maxim, "Youth waineth by increasing," an aside of the elderly, with which Shakespeare will conclude his series of sonnets to the young man at Sonnet 126 .
Shakespeare's funerary monument. The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones.
Sonnet 3 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is often referred to as a procreation sonnet that falls within the Fair Youth sequence. In the sonnet , the speaker is urging the man being addressed to preserve something of himself and something of the image he sees in the mirror by fathering a ...