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Payton encounters Corporal Gallo, who claims the ship is lost in space and that he killed his team in self-defense. Leland feeds Bower's group and shows them mural drawings depicting what has happened: after Earth vanished following an unknown catastrophe, Gallo went insane, killed his crew, and induced pandorum in other passengers.
Moonraker is a 1979 spy-fi film, the eleventh in the James Bond series produced by Eon Productions, and the fourth to star Roger Moore as the fictional MI6 agent James Bond.The third and final film in the series to be directed by Lewis Gilbert, it co-stars Lois Chiles, Michael Lonsdale, Corinne Cléry, and Richard Kiel.
2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick.The screenplay was written by Kubrick and Arthur C. Clarke.Its plot was inspired by several short stories optioned from Clarke, primarily "The Sentinel" (1951) and "Encounter in the Dawn" (1953). [3]
Visitor's come and go at the lodge during the vacation, and the body is moved and hidden several times by the two men to avoid discovery. Soon enough, Slippery Joe also comes looking for the body to retrieve the document. When Henry's family one day discovers that he has left on vacation, they also come up to the lodge to visit.
Sunshine is a 2007 science fiction psychological thriller film directed by Danny Boyle and written by Alex Garland.Starring an ensemble cast featuring Cillian Murphy, Chris Evans, Rose Byrne, Michelle Yeoh, Cliff Curtis, Troy Garity, Hiroyuki Sanada, Benedict Wong, Chipo Chung, and Mark Strong, the film takes place in the year 2057, where a group of astronauts aboard the Icarus II are sent on ...
31 is a 2016 American action horror film written, directed, and produced by Rob Zombie, and starring an ensemble cast featuring Sheri Moon Zombie, Jeff Daniel Phillips, Lawrence Hilton-Jacobs, Meg Foster, Richard Brake, Jane Carr, Judy Geeson, E.G. Daily, and Malcolm McDowell.
The film follows the horrific experiences of the crew members of two giant spaceships that have crash landed on a forbidding, unexplored planet. The disembodied inhabitants of the world possess the bodies of the crew who died during the crash, and use the animated corpses to stalk and kill the remaining survivors.
Wolfe compared what she saw as the film's competing ideologies of femininity versus masculinity, academic knowledge versus folk knowledge, and capitalism versus communism, writing that "the horror of the film is driven by the objectified Other’s resistance to the imperial power’s desire to dominate physical place and own ideological space ...