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Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890 Most flow blue ware is a kind of transferware , where the decorative patterns were applied with a paper stencil to often white-glazed blanks , or standard pottery shapes, though some wares were hand painted.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
Patterns with raised edges became popular in the mid-19th century, including "cane-coloured" Derbyshire ironstone. Some of the most well-known and collectable British ironstone manufacturers of the 19th century include: [19] Church Gresley Pottery; Edge, Malkin, Burslem, Staffordshire; Hartshorne Pottery (founded by James Onions around 1790)
Sugar jar "Portman" pattern, 19th century. W H Grindley was an English pottery company that made earthenware and ironstone tableware, including flow blue.The company was founded in 1880 by William Harry Grindley, JP (b. 1859) of Tunstall, Stoke-on-Trent.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
The early pre war racing car teapots were usually decorated with silver lustre and are marked "Made In England" with the design registration number 820236 impressed on the base. They were glazed in green, yellow, cream, black, blue, grey, pink and maroon. The licence plate reads "OKT42". [3]
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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