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Recitative and aria for soprano and orchestra: Metastasio L'Olimpiade III,6: 24 February 1778 316: 300b "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra: Ranieri de' Calzabigi Alceste I,2: 8 January 1779 365a "Zittre, töricht Herz" Aria for soprano and orchestra (lost)
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
The soprano Renata Scotto made many recordings, some of complete operas, others of collections of arias. Some of her performances can be seen on video, recorded live, especially in Metropolitan Opera broadcasts.
Dove sono" (Where are [those happy moments]) [1] is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera Le nozze di Figaro (The Marriage of Figaro). Countess Almaviva laments , in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him.
The soprano clef for the singer indicates a soprano voice for all arias. They are in different keys , and all of them are da capo arias. The fourth aria, that is " Bist du bei mir ", is in E-flat major (although notated with only two flats at the clef), and has the most extended instrumentation: first violin (vl1), second violin (vl2), viola ...
Vissi d'arte" is a soprano aria from act 2 of the opera Tosca by Giacomo Puccini. It is sung by Floria Tosca as she thinks of her fate, how the life of her beloved, Mario Cavaradossi, is at the mercy of Baron Scarpia and why God has seemingly abandoned her. The vocal range is E ♭ 4 to B ♭ 5. [1]
The disc of opera arias by Tchaikovsky (BMG, the Royal Opera orchestra, conductor Neeme Järvi) was considered to be exceptionally brilliant, marking out the scene of Tatyana's letter as the best interpretation of recent 20 years. The disc Arias from Verdi's late operas got the Gramophone editor choice (October, 2003). Classic CD described her ...