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Recitative and aria for soprano and orchestra: Metastasio L'Olimpiade III,6: 24 February 1778 316: 300b "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra: Ranieri de' Calzabigi Alceste I,2: 8 January 1779 365a "Zittre, töricht Herz" Aria for soprano and orchestra (lost)
The following year, G. Ricordi, the publisher of Puccini's operas, sued all parties associated with the song, arguing that the melody was lifted from "E lucevan le stelle". Puccini and his publisher prevailed in the case and were awarded $25,000 in damages and all future royalties for the song.
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Pages in category "Soprano arias" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes. A. Adele's Laughing Song;
Dove sono" (Where are [those happy moments]) [1] is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera Le nozze di Figaro (The Marriage of Figaro). Countess Almaviva laments , in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him.
The soprano clef for the singer indicates a soprano voice for all arias. They are in different keys , and all of them are da capo arias. The fourth aria, that is " Bist du bei mir ", is in E-flat major (although notated with only two flats at the clef), and has the most extended instrumentation: first violin (vl1), second violin (vl2), viola ...
At center, from left: Kang Wang, Kathryn Lewek and Emily Fons, along with the Palm Beach Opera Chorus, in a scene from Offenbach's "The Tales of Hoffmann," at Palm Beach Opera.
Other recordings include Handel Opera Arias and Overtures 2 for Hyperion, Bach wedding cantatas for Decca, Bach Cantatas 82a and 199 for Carus; and four projects for BIS: with London Baroque, one of Handel motets and one of Christmas music by Scarlatti, Bach and others; with the Royal Academy Baroque Orchestra the first recording of the newly ...