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Evolutionary musicology is a subfield of biomusicology that grounds the cognitive mechanisms of music appreciation and music creation in evolutionary theory. It covers vocal communication in other animals, theories of the evolution of human music , and holocultural universals in musical ability and processing.
The Journal of Environmental Management is a semi-monthly peer-reviewed scientific journal covering research on ... the journal has a 2021 impact factor of 8.910, ...
Evolutionary music is the audio counterpart to evolutionary art, whereby algorithmic music is created using an evolutionary algorithm.The process begins with a population of individuals which by some means or other produce audio (e.g. a piece, melody, or loop), which is either initialized randomly or based on human-generated music.
Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.
Ecomusicology considers aspects of environmental sustainability within music production and performance. For example, the relationship between a demand for a certain musical instrument as well as the costs and impacts of its production, has been an area of interest for Ecomusicologists investigating the sustainability of the consumption and production of music or musical instruments. [13]
A\J: Alternatives Journal—published by the Environmental Studies Association of Canada; Annual Review of Environment and Resources—published by Annual Reviews, Inc.; eco.mont (Journal on Protected Mountain Areas Research and Management)—established by the Austrian Academy of Sciences, the University of Innsbruck, and other organizations—covering mountain research in protected area
Evolutionary musicology concerns the "origin of music, the question of animal song, selection pressures underlying music evolution", and "music evolution and human evolution". [53] It seeks to understand music perception and activity in the context of evolutionary theory.
It is a field of musicology and zoology, and is a type of zoosemiotics. Zoomusicology as a field dates to François-Bernard Mâche 's 1983 book Music, Myth, and Nature, or the Dolphins of Arion [ 2 ] (published in English in 1992), and has been developed more recently by scholars such as Dario Martinelli , David Rothenberg , Hollis Taylor ...