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Betrayed is a 1988 American spy thriller film directed by Costa-Gavras, written by Joe Eszterhas, and starring Debra Winger and Tom Berenger. The plot is roughly based upon the terrorist activities of American neo-Nazi and white supremacist Robert Mathews and his group The Order .
Betrayed or The Betrayed may refer to: Betrayal, a violation of trust; Film and television. Betrayed, an American silent film by Raoul Walsh; Betrayed ...
Variety's review was positive: "Only thing wrong with this film is its misleading title. Tag, When Strangers Marry, suggests another of the problem plays of newlyweds when in reality pic is a taught (sic) psychological thriller about a murderer and a manhunt full of suspense and excitement."
In 1969, Fleischer, then a senior editor at Ballantine Books, was invited to write a novelization of the biker film C.C. & Company.She accepted due to financial difficulties caused by her recent divorce, and published the book under the pseudonym Mike Roote, concerned that publishing under her own name would cause problems with her employers.
Bernard Samson was played by Ian Holm and Fiona Samson by Mel Martin in a 1988 Granada Television adaptation of the Game, Set and Match trilogy, entitled Game, Set and Match, transmitted as twelve 60 minute episodes. [2] Filmed on location in Berlin and Mexico, the project included a large international cast with 3,000 extras and a budget of $8 ...
The Southampton Plot is dramatised in Shakespeare's Henry V, in which it is portrayed as a French-financed betrayal of the king to stop Henry's invasion plans. It is also portrayed in the anonymous play, The History of Sir John Oldcastle (c.1600) and in William Kenrick's Falstaff's Wedding (1760). The Southampton Plot is shown in The King (2019 ...
Each Dawn I Die is a 1939 gangster film directed by William Keighley and starring James Cagney and George Raft.The plot involves an investigative reporter who is unjustly thrown in jail and befriends a famous gangster.
Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions.