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Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
The Havanaise in E major (French: Havanaise en mi majeur), Op. 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by French composer, Camille Saint-Saëns for Cuban violinist Rafael Díaz Albertini. [1] [2] At the January 7, 1894 orchestral premiere in Paris, the violin was played instead by Martin ...
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue.
The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. [1] A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4]
Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
Habanera or contradanza, a style of Cuban popular dance music of the 19th century; Habanera, a work for violin and piano by Pablo de Sarasate, part of the Spanish Dances; Habanera, a work for piano of 1885 by Emmanuel Chabrier, arranged for orchestra by him in 1888; Habanera, composition for flute or violin & piano by Maurice Ravel
The opening theme of the "Habanera" (''L'amour est un oiseau rebelle''), from the Opera ''Carmen'', by Georges Bizet. File usage The following page uses this file: