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Black and white, colour negative and reversal; 8mm, 16mm, 35mm and 65mm film gauges – many film stocks have come and have subsequently been discontinued, and specialist developing processes once available to filmmakers no longer exist (production of some Kodachrome products was discontinued by the end of 2000, for example) In many cases the ...
Kodachrome K135 20 Color Reversal film Kodachrome II – film for color slides; the 35 millimeter still photography format is shown above. Kodachrome was the first color film to be successfully mass-marketed that used a subtractive color method. Previous materials, such as Autochrome and Dufaycolor, had used the additive screenplate methods ...
Polaroid produced several types of AutoProcess-compatible 35 mm film: Polachrome was a color slide film. It was descended from the Polavision system and used the same additive color (RGB filter stripe) process. One difference was that with Polavision, the negative layer remained as part of the film after processing.
Introductory 35 mm SLRs, compact film point-and-shoot cameras, and single-use cameras continue to be built and sold by a number of makers. Leica introduced the digital Leica M8 rangefinder in 2007, but continues to make its M series rangefinder film cameras and lenses. A digital camera back for the Leica R9 SLR camera was discontinued in 2007 ...
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
[1] [2] In contrast to the film speed encoding method developed by Fuji in 1977, [3] which used electrical contacts for film speed detection on 135 format cartridges, [4] Kodak's DX encoding system immediately met success in the marketplace. The first DX encoded film to be released was the color print film Kodacolor VR 1000 in March 1983.
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
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