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Second person can refer to the following: A grammatical person (you, your and yours in the English language) Second-person narrative, a perspective in storytelling; Second Person (band), a trip-hop band from London; God the Son, the Second Person of the Christian Trinity
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
This category contains articles about novels which use a second-person narrative structure; a mode of storytelling in which the audience is made a character. This is done with the use of second person pronouns like you .
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Nonlinear narrative – a story whose plot does not conform to conventional chronology, causality, and/or perspective. Novel – a long, written narrative, normally in prose, which describes fictional characters and events, usually in the form of a sequential story.
The way a person feels about an idea/concept, event, or another person can be quickly determined through facial expressions, gestures and in the tone of voice used. In literature an author sets the tone through word choice that create imagery, perspective, tone, subject matter, and more. [ 14 ]
Clusivity in the second person is conceptually simple but nonetheless if it exists is extremely rare, unlike clusivity in the first. Hypothetical second-person clusivity would be the distinction between "you and you (and you and you ... all present)" and "you (one or more addressees) and someone else whom I am not addressing currently."
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]