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This accessory contains 37 loosely connected adventures that can be run individually or linked to form the bases of a campaign in the Forgotten Realms. The book also presents maps and descriptions of the cities of Melvaunt, Hillsfar, Mulmaster, and Zhentil Keep, and statistics and descriptions for 15 important villains of the setting.
Mimic is a 1997 American science fiction horror film directed by Guillermo del Toro, written by del Toro and Matthew Robbins, and based on Donald A. Wollheim's short story of the same name. The film stars Mira Sorvino, Jeremy Northam, Josh Brolin, F. Murray Abraham, and Charles S. Dutton. Its plot follows the creation of a genetically modified ...
This is a list of fictional countries from published works of fiction (books, films, television series, games, etc.). Fictional works describe all the countries in the following list as located somewhere on the surface of the Earth as opposed to underground, inside the planet, on another world, or during a different "age" of the planet with a different physical geography.
The mimic first appeared for second edition Advanced Dungeons & Dragons in the second volume of the Monstrous Compendium series (1989). In this set, the creature is described as magically-created, and usually appears in the form of a treasure chest, although its natural color is a speckled grey that resembles granite.
Thunderspire Labyrinth is the second in the three part series of adventures introducing the new 4th edition Dungeons & Dragons concept of Points of Light, a loosely connected and open-ended setting designed to allow modules and Dungeon Masters created materials to be seamlessly integrated into either a single, largely unmapped fantasy world or a Dungeon Master custom made setting.
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Included in the set are three large, colorful maps which present topographical and geographical information about Athas, one of which is a large-scale cloth map that details the main campaign area. [ 1 ]
The map was creative as hell but, when navigated, arduous to wrap D&D’s ruleset around. All of these plot hooks, role-playing cues and environmental prompts were overwhelming—stifling, even. [...] The content of Out of the Abyss’s first chapter was enticing, but the mass of it was paralyzing. My players couldn’t discern an entry point ...