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The Great Wave off Kanagawa is also the subject of the 93rd episode of the BBC Radio series A History of the World in 100 Objects produced in collaboration with the British Museum, which was released on 4 September 2010. [86] A replica of The Great Wave off Kanagawa was created for a documentary film about Hokusai released by the British Museum ...
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Fine Wind, Clear Morning, along with Hokusai's other print from his acclaimed Thirty-six Views of Mount Fuji series, The Great Wave off Kanagawa, are perhaps the most widely recognized pieces of Japanese art in the world. [6] Both are superb examples of the Japanese art of ukiyo-e, "pictures of the floating world".
His most celebrated work, Thirty-six Views of Mount Fuji, including the famous The Great Wave off Kanagawa and Red Fuji was produced in the early 1830s. The results of Hokusai's perspectival studies in Manga can be seen here in The Great Wave where he uses what would have been seen as a western perspective to represent depth and volume. [22]
File: Katsushika Hokusai - Thirty-Six Views of Mount Fuji- The Great Wave Off the Coast of Kanagawa - Google Art Project.jpg
A View of Mount Fuji Across Lake Suwa (Shinsu Suwako) is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was produced as one of the Thirty-six Views of Mount Fuji series which was published from c. 1830 to 1832 in the late Edo period. [1] The image depicts Lake Suwa from above with Mount Fuji barely visible in the distance ...
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
The first volume is inscribed by the artist: "From the brush of the former Hokusai Iitsu changing name to Manji, the old man crazy about painting" (Saki no Hokusai Iitsu aratame Gakyo Rojin Manji hitsu). The book is the first major project of his to use the name "Manji" which he wrote with a character meaning ten thousand, a symbol of longevity ...
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