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This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
Franz Xaver Gruber (25 November 1787 – 7 June 1863) was an Austrian primary school teacher, church organist and composer in the village of Arnsdorf, who is best known for composing the music to "Stille Nacht" ("Silent Night").
The First Silent Night (2014), documentary narrated by Simon Callow [27] Stille Nacht – ein Lied für die Welt (2018), music documentary created and directed by Hannes M. Schalle, narrated by Peter Simonischek. [28] [29] An English version, Silent Night – A Song for the World (2020), narrated by Hugh Bonneville, was released two years later ...
"7 O'Clock News/Silent Night" is a song by American music duo Simon & Garfunkel from their third studio album, Parsley, Sage, Rosemary and Thyme (1966). The track is a sound collage juxtaposing a rendition of the Christmas carol " Silent Night " with a simulated " 7 O'Clock News " bulletin consisting of actual events from the summer of 1966.
revised 1912; setting of the poem "From Noon to Starry Night" by Walt Whitman; Colin Matthews notes that while Holst had not yet developed a musical style of his own, this early work shows "conviction and individuality", and has "few parallels in British music of this period". [6] Vocal: 72: 1904–1905: Darest Thou Now, O Soul: for voice and piano
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Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...
"The Jazz Breaks are works of recognized Jazz artists who have made national reputations. JAZZ BREAKS. Benny Goodman's 125 Jazz Breaks for Sax and Clarinet. $1.00. GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." An ad for the sheet music also appeared in the 1928 "Metronome", Volume 44, Page 42.
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