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The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
The octophone (or octofone) is a stringed musical instrument related to the mandola family resembling an octave mandolin. [1] It was marketed by Regal Musical Instrument Company, who introduced it 21 January 1928, as an "eight-purpose instrument".
The Howe-Orme instrument line comprises several models of guitar and an entire line of mandolin-family instruments including mandolin, tenor mandola, octave mandola, and mando-cello. [4] Howe-Orme instruments were among the first to be produced in the United States in multiple sizes analogous to the members of the violin family. These mandolin ...
A flatback octave mandolin. The octave mandolin (US and Canada), termed the octave mandola in Britain and Ireland and mandola in continental Europe, is tuned an octave below the mandolin: G 2 –D 3 –A 3 –E 4. Its relationship to the mandolin is that of the tenor violin to the violin, or the tenor saxophone to the soprano saxophone. Octave ...
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
One recent recording with mandolin virtuosos Carlo Aonzo [14] and David Grisman has featured Zenkl's mandocello on the album of Italian folk music "Traversata" published by Acoustic Disc. [15] Steve Knightley of the English folk-rock band Show of Hands plays the cello-mandolin, however his instrument is tuned GDAD, similar to an octave mandolin.
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Up until 1911, the mandolin family of instruments as known in the United States had no true bass member. Mandolins were relatively new to the United States, beginning to be known in the mid-1880s and reaching the peak of popularity before 1910. The American public was mostly unaware of the few mando-basses being made in Europe. [7]
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