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Racecraft, the book's governing concept and title, analogizes race with the beliefs of witchcraft, where racecraft describes a set of social practices that misconstrue racism for race. [ 1 ] [ 3 ] [ 4 ] The book warns against "turn[ing] racism into race", [ 5 ] such as in the statement "black Southerners were segregated because of their skin ...
Joseph T. Skerrett (1943 – July 25, 2015) [1] was an American literary critic and professor of English at the University of Massachusetts Amherst. [2] Much of his work centers on black studies, and his best-known book is the 2001 anthology Literature, Race and Ethnicity: Contesting American Identities. With Amritjit Singh and Robert E. Hogan ...
Writers like Henry James, Gertrude Stein, and poets Ezra Pound, H.D. and T. S. Eliot demonstrate the growth of an international perspective in American literature. American writers had long looked to European models for inspiration, but whereas the literary breakthroughs of the mid-19th century came from finding distinctly American styles and ...
The society was formed in response to the perceived practice at the Modern Language Association's annual conference American Literature section of discussing only works by white men. The society was founded at the following year's conference and within a few months had almost 100 members.
African American literature has both been influenced by the great African diasporic heritage [7] and shaped it in many countries. It has been created within the larger realm of post-colonial literature, although scholars distinguish between the two, saying that "African American literature differs from most post-colonial literature in that it is written by members of a minority community who ...
Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States . [ 2 ]
Baker was born and raised in Louisville, Kentucky, a city he later described as "racist" and "stultifying". [5] The racism and violence he claims to have experienced as a youth would later prompt him to conclude: "I had been discriminated against and called 'Nigger' enough to think that what America needed was a good Black Revolution."
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
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