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This is a complete filmography of Bette Davis. She began acting in films in 1931, incipiently as a contract player with Universal Studios , where she made her film debut in Bad Sister . She was initially seen as unappealing by studio executives, and was assigned to a string of B-movies early in her career.
Ruth Elizabeth "Bette" Davis (/ ˈ b ɛ t i /; April 5, 1908 – October 6, 1989) was an American actress of film, television, and theater.Regarded as one of the greatest actresses in Hollywood history, she was noted for her willingness to play unsympathetic, sardonic characters and was known for her performances in a range of film genres, from contemporary crime melodramas to historical and ...
Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis.The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham.
Bette Davis and Franchot Tone Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar -winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame .
Turner Classic Movies states that the lead role was offered as compensation for Bette Davis after she failed to win the part of Scarlett O'Hara in Gone with the Wind (1939), [6] but David O. Selznick never seriously considered her for it. Jezebel was her second Best Actress Oscar win after winning for Dangerous three years earlier. [7] [2]
Publicity still of Bette Davis in the 1934 film Of Human Bondage. Reflecting on her performance in later years, Davis said, "My understanding of Mildred's vileness – not compassion but empathy – gave me pause ... I was still an innocent. And yet Mildred's machinations I miraculously understood when it came to playing her.
Special Agent is a 1935 American crime drama film directed by William Keighley and starring Bette Davis and George Brent. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney. The film was produced by Cosmopolitan Productions and released by Warner Bros.
The film perhaps is best known for a line of dialogue spoken by a platinum-blonde Bette Davis in a Southern drawl — "I'd like ta kiss ya, but I just washed my hair." — a line lifted directly from the book. In later years, it was immortalized by Davis impersonators and quoted in the 1995 film, Get Shorty.
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