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Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
A gold, diamonds and sapphires red guilloché enamel "Boule de Genève", a type of pendant watch used as an accessory for women. An example of an object which is functional, artistic/decorative, marker of social status or a symbol of personal meaning. Humans have used jewellery for a number of different reasons:
Heavy and rather voluminous jewelry was very popular, regardless of social class. It was made from turquoise, metals like gold and silver, and small beads. Both men and women adorned themselves with earrings, bracelets, rings, necklaces and neck collars that were brightly colored.
The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite. Deities, women, and men were depicted wearing this jewelry. One example can be seen on the famous gold mask of Tutankhamun.
John Hardy jewelry [2] was founded in 1975 by Canadian designer-and-artist John Hardy. He visited Bali in the mid-1970s and the island's jewelry-making traditions raised his interest. [3] He began learning the techniques of the local artisans then developed his first pieces by applying new design concepts to traditional Balinese techniques.
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