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The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music). [7]
Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some ...
As Spanish is commonly spoken in Spain and most of Latin America, music from both regions have been able to crossover with each other. [2] According to the Sociedad General de Autores y Editores (SGAE), Spain is the largest Latino music market in the world. [3] As a result, the Latin music industry encompasses Spanish-language music from Spain.
The son genre of music and dance originated in eastern Cuba in the late 19th century. The music's defining characteristic is a pulsing or anticipated bass that falls between the downbeats, leading to the creation of many bass instruments including the botija. Other instruments included a marímbula, serrucho, contrabajo and bajo. [1]
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...