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Scotland is internationally known for its traditional music, often known as Scottish folk music, [1] which remained vibrant throughout the 20th century and into the 21st when many traditional forms worldwide lost popularity to pop music. Traditional Scottish music comprises a variety of different styles such as ballads, reels, jigs and airs. [2]
Bluebells of Scotland. The Bonnie Banks o' Loch Lomond. Bonnie Dundee. The Bonnie Lass o' Fyvie. The Bonny Birdy. Border ballad. The Braes o' Killiecrankie. Brochan Lom. Broom of the Cowdenknowes.
Scottish folk music (also Scottish traditional music) is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh ...
The Chimes (Scottish band) songs (3 P) Chvrches songs (29 P) Edwyn Collins songs (2 P) D. Deacon Blue songs (23 P) Del Amitri songs (3 P)
25 Scottish Songs (Beethoven) "The Sweetest Lad Was Jamie" in the Schottische Lieder, op. 108, no.5, 1814–1815, musical autograph. 25 Scottish Songs (or in full Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano) (Opus 108) was composed by Ludwig van Beethoven. The work was published in London and Edinburgh in ...
John Masey Wright and John Rogers' illustration of the poem, c.1841. " Auld Lang Syne " (Scots pronunciation: [ˈɔːl (d) lɑŋ ˈsəi̯n]) [ a ][ 1 ] is a Scottish song. In the English-speaking world, it is traditionally sung to bid farewell to the old year at the stroke of midnight on New Year's Eve / Hogmanay. By extension, it is also often ...
The Parting Glass. " The Parting Glass " (Roud 3004) is a Scottish traditional song, often sung at the end of a gathering of friends. [1][2][3][4][5] It has also long been sung in Ireland, where it remains popular; this has strongly influenced how it is often sung today. [3]
"Ye Jacobites by Name" (Roud # 5517) is a traditional Scottish folk song which goes back to the Jacobite risings in Scotland (1688–1746). While the original version simply attacked the Jacobites from a contemporaneous Whig point of view, Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook.
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