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This template is to help users write non-free use rationales for non-free album covers and other music cover art as required by WP:NFC and WP:NFURG.Include this in the File page before the {{Non-free album cover}} template, once for each time you insert the album cover art image into an article.
File:Babymetal Legend S Baptism XX album cover.jpg; File:Babymetal Live at Budokan Red Night & Black Night Apocalypse album cover.jpg; File:Babymetal Live at Tokyo Dome album cover.jpg; File:Babymetal Live in London Babymetal World Tour 2014 album cover.jpg; File:Babymetal Live Legend 1999 & 1997 Apocalypse album cover.jpg
UK Music Videos : www.officialcharts.com: artist date: Music Video Chart Top 50 archive from January 30, 1994 onwards. The date parameter must be provided in the YYYYMMDD format, which is the issue date that can be found on the archives of the OCC. USMV US Music Videos (Billboard) www.billboard.biz: artist date
Album covers' design cover may also add to how an audience forms an opinion of them and their music. There are various ways in which an album cover is visualized. Some examples include artists choosing to put a photo of themselves, which is one of the factors that add to the observation of the band, the musician, and the music.
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[83] [84] [85] On February 7, 2024, an alternate version of "Vultures" with production from Havoc of Mobb Deep was released as a promotional single for the album, along with a music video on Instagram that includes footage from the trailer. [86] Following the release of Vultures 1, the song reached number 34 on the US Billboard Hot 100. [87]
Pen & Pixel apparently refused to produce possibly political covers. [6] [7] In 2020, Pen & Pixel came out of retirement to design the cover art for 21 Savage and Metro Boomin's Savage Mode II. [8] The artwork is in their signature design, "heavily" inspired by those of Cash Money and No Limit and is a nod to the "bling rap" album covers of the ...
The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
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