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Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
(Top) 1 See also. Toggle the table of contents ... List of Baroque architecture. ... The following is a list of examples of various types of Baroque architecture ...
One of the best examples of a rococo church is ... The Colonial Baroque architecture in the Spanish America is ... More characteristics of Baroque urban planning are ...
But a lot of churches only wanted to give the appearance of those materials, so they would paint wood to appear as a marble column, for example. Some of the dramatic design elements of this period also included, large domes, cupolas, and double-hipped roofs. Baroque Architecture continued to be popular until the 18th century.
Baroque architecture is a building style of the Baroque era, begun in late 16th-century Italy and spread in Europe. The style took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state in defiance of the Reformation.
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture .
The regional styles and evolution of Baroque architecture. Subcategories. This category has the following 11 subcategories, out of 11 total. A.
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.