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The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Like that of the violin, the scale of the classical guitar was standardized by the work of its most famous maker. Antonio De Torres (1817–1892) used a scale length of 25.6 inches (650 mm), and later makers have followed suit. However, beginning in the mid-20th century luthiers seeking increased volume moved to a 26 inches (660 mm) scale ...
Scales are typically listed from low to high pitch. Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
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Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.
Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.
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