Search results
Results from the WOW.Com Content Network
African Accents: Fabrics and Crafts to Decorate Your Home by Lisa Shepard. ISBN 0-87341-789-5; Adinkra Symbols: To say good bye to a dead relative or friend by Matthew Bulgin; Adinkra: An Epitome of Asante Philosophy and History by Dickson Adome, Erik Appau Asante, Steve Kquofi
"Sympathy" as first published in Lyrics of the Hearthside, 1899 "Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African ...
This is a list of African spirits as well as deities found within the traditional African religions.It also covers spirits as well as deities found within the African religions—which is mostly derived from traditional African religions.
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
For premium support please call: 800-290-4726 more ways to reach us
The palm leaves stand for peace. The gold circle symbolises Africa's wealth and bright future, while the green circle represents African hopes and aspiration for unity. The map of Africa, without boundaries, signifies African unity, while a series of small interlocking red rings at the base of the emblem stand for African solidarity and the blood shed for the liberation of Africa.
For spirits and kings: African art from the Paul and Ruth Tishman collection, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Yoruba art "Ibeji Archive". the web-site containing the largest existing collection of photos of Ibeji.
The Cotton Pickers is an 1876 oil painting by the American artist Winslow Homer. [1] It depicts two young African-American women in a cotton field.. Stately, silent and with barely a flicker of sadness on their faces, the two black women in the painting are unmistakable in their disillusionment: they picked cotton before the war and they are still picking cotton afterward.