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  2. Saltillo tile - Wikipedia

    en.wikipedia.org/wiki/Saltillo_tile

    Saltillo tiles vary in color and shape, but the majority of Traditional Saltillo tiles range in varying hues of reds, oranges, and yellows. [3] Manganese Saltillo tile has light and dark brown colors with some terracotta tones. Antique Saltillo [4] tile is a hand-textured finished with deep terracotta tones of color. With its textured surface ...

  3. Artisanal Talavera of Puebla and Tlaxcala - Wikipedia

    en.wikipedia.org/wiki/Artisanal_Talavera_of...

    However, a significant use of the ceramic is for tiles, which are used to decorate both the inside and outside of buildings in Mexico, especially in the city of Puebla. [18] The Puebla kitchen is one of the traditional environments of Talavera pottery, from the tiles that decorate the walls and counters to the dishes and other food containers.

  4. Natasha Moraga - Wikipedia

    en.wikipedia.org/wiki/Natasha_Moraga

    Natasha Moraga is an American-born Mexican tile artist who specializes in the trencadis technique. She has created a number of murals in Puerto Vallarta, and is currently working on a project (Parque de los Azulejos) to completely cover the Lázaro Cárdenas Park in tiles.

  5. Mexican ceramics - Wikipedia

    en.wikipedia.org/wiki/Mexican_ceramics

    There is a definite market for those willing to pay a premium for made-to-order pieces with authentication certificates. Most is sold overseas because the pieces fetch a much higher price. Clients can come simply to order an entire set of dishes or tiles to put on buildings back to their home countries. [64] House covered in Puebla tile

  6. Ceramics of Jalisco - Wikipedia

    en.wikipedia.org/wiki/Ceramics_of_Jalisco

    High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.

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