Search results
Results from the WOW.Com Content Network
"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
The first Western system of functional names for the musical notes was introduced by Guido of Arezzo (c. 991 – after 1033), using the beginning syllables of the first six musical lines of the Latin hymn Ut queant laxis. The original sequence was Ut Re Mi Fa Sol La, where each verse started a scale note higher. "Ut" later became "Do".
The words derive from Latin words meaning "large" and "small," and were originally applied to the intervals between notes, which may be larger or smaller depending on how many semitones (half-steps) they contain. Chords and scales are described as major or minor when they contain the corresponding intervals, usually major or minor thirds.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes, strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.