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Studio de musique ancienne de Montréal: mostly music of the Renaissance and early baroque; Tafelmusik, Toronto: baroque orchestra and chamber choir; Theatre of Early Music (Daniel Taylor), Toronto: chamber choir; Victoria Baroque, Victoria: early music ensemble; Les Violons du Roy (Jonathan Cohen), Québec City: early music orchestra
Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication. [1]
The orchestral program music tradition is also continued in some pieces for jazz orchestras. For narrative or evocative popular music, please see Concept Album . Any discussion of program music brings to mind Walt Disney 's animated features Fantasia (1940) and Fantasia 2000 (1999), in which the Disney animators provided graphic visualisation ...
Many later Baroque composers such as Bach and Telemann followed Vivaldi's models in composing their own concertos. [ 8 ] Some scholars argue that "ritornello form quickly disappeared as a general constructive principle" in the early years of the nineteenth century, due to the structural innovations of Beethoven . [ 9 ]
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
The most influential and prolific composer of concertos during the Baroque period was the Venetian Antonio Vivaldi (1678–1741). In addition to his nearly 60 extant ripieno concertos, Vivaldi composed approximately 425 concertos for one or more soloists, including about 350 solo concertos (two-thirds for solo violin) and 45 double concertos ...
The genre originated as instrumental adaptation of the three-part texture common in Italian vocal music in the late 16th century. The earliest published trio sonatas appeared in Venice (Salamone Rossi Il primo libro delle sinfonie e gagliarde, 1607) and in Milan (Giovanni Paolo Cima, Sonata a tre for violin, cornett and continuo in the collection Concerti ecclesiastici, 1610).
Pastorale refers to something of a pastoral nature in music, whether in form or in mood. In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of pifferari, players of the traditional Italian bagpipe and reed pipe . Pastorales are generally in 6 8 or 9 8 or 12