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The poem is known as Clare's "last lines" [4] and is his most famous. [5] The poem's title is used for a 2003 collection of Clare's poetry, I Am: The Selected Poetry of John Clare, edited by his biographer Jonathan Bate, [6] and it had previously been included in the 1992 Columbia University Press anthology, The Top 500 Poems. [7]
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
I Am that I Am", a common English translation of the response God used in the Hebrew Bible when Moses asked for His name I am (biblical term) , a Christian term used in the Bible "I Am" (poem) , an 1848 poem by John Clare
Child Harold, his version of Byron's Childe Harold's Pilgrimage, became a lament for past lost love, and Don Juan, A Poem an acerbic, misogynistic, sexualised rant redolent of an ageing dandy. [citation needed] Clare also took credit for Shakespeare's plays, claiming to be him. "I'm John Clare now," the poet told a newspaper editor, "I was ...
"I Am – Somebody" is a poem often recited by Reverend Jesse Jackson, and was used as part of PUSH-Excel, a program designed to motivate black students. [1] A similar poem was written in the early 1940s by Reverend William Holmes Borders, Sr., senior pastor at the Greater Wheat Street Baptist Church and civil rights activist in Atlanta ...
I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Tomorrow, I'll be at the table When company comes. Nobody'll dare Say to me "Eat in the kitchen," Then. Besides, They'll see how beautiful I am And be ashamed,— I, too, am America.
Rosario Morales (August 23, 1930 – March 23, 2011) was a Puerto Rican author and poet. She is best known for her book Getting Home Alive which she co-authored with her daughter Aurora Levins Morales in 1986.
The poem was adopted by the greeting-card industry, led by graphic designer and calligrapher Elizabeth Lucas. Joseph ascribed the popularity of the poem to Lucas. "To her business acumen and energy I owe a hospitable following in California and later throughout northern America, more social, as I said, than literary. [5]