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Still Life with Flowers and Fruit: Rome, Borghese: 105 × 184 cm Oil on canvas: Attributed to Painter of the Hartford Still Life 1601: The Incredulity of Saint Thomas (Ecclesiastical Version) Florence, Private Collection 118 × 156.5 cm Oil on canvas: 1602: Supper at Emmaus: London, National Gallery: 139 × 195 cm Oil on canvas: 1602: Amor ...
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit:
Still Life with Flowers and Fruit. 1590s.Borghese Gallery, Rome. According to tradition, Caravaggio painted flowers and fruit when he first came to Rome. Individual pieces of this Still Life with Flowers and Fruit are brilliantly painted and call to mind the mastery of such subjects that Caravaggio showed in early works such as Boy with a Basket of Fruit, as well as his reported comment that ...
Saint Jerome Writing (Caravaggio, Valletta) St John the Baptist at a Spring; Saint Matthew and the Angel; Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist (Caravaggio, Madrid) The Seven Works of Mercy (Caravaggio) Still Life with Fruit (Caravaggio) Supper at Emmaus (Caravaggio, London)
Caravaggio's paintings began, obsessively, to depict severed heads, often his own, at this time. Good modern accounts are to be found in Peter Robb's M and Helen Langdon's Caravaggio: A Life. A theory relating the death to Renaissance notions of honour and symbolic wounding has been advanced by art historian Andrew Graham-Dixon. [45]
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