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Costume or fashion jewelry includes a range of decorative items worn for personal adornment that are manufactured as less expensive ornamentation to complement a particular fashionable outfit or garment [1] as opposed to "real" (fine) jewelry, which is more costly and which may be regarded primarily as collectibles, keepsakes, or investments ...
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In costume jewellery, stainless steel findings are sometimes used. Other commonly used materials include glass , such as fused-glass or enamel ; wood , often carved or turned; shells and other natural animal substances such as bone and ivory ; natural clay ; polymer clay ; Hemp and other twines have been used as well to create jewellery that ...
In fashion, an accessory is an item used to contribute, in a secondary manner, to an individual's outfit. Accessories are often chosen to complete an outfit and complement the wearer's look. [1] They have the capacity to further express an individual's identity and personality. Accessories come in different shapes, sizes, hues, etc.
Items of adornment can tell us about a person's rank, social status, gender role, area of origin, etc. An example would be the beaded jewelry worn by the Maasai tribe, which is very specific to them and some related tribes. In Islamic culture, adornments have included caps such as the kufi and taqiyah for men, [4] [5] [6] and the hijab for ...
English: This is a PDF version of the Introduction to Sociology Wikibook This file was created with MediaWiki to LaTeX . The LaTeX source code is attached to the PDF file (see imprint).
The definitions of dress, apparel and fashion are the starting point and the principal focus of the various contributions: dress is analyzed as a body modification, apparel is connected to history or the exhibition in a museum, and fashion corresponds to the changes related to body alterations and ornamentation, over short periods of time.
The wearable art movement inherits from the Arts and Crafts movement, which sought to integrate art in everyday life and objects. Carefully handmade clothing was considered as a device for self-articulation and furthermore, a strategy to avoid the disempowerment of fashion users and designers by large-scale manufacturing.